Basically, Corporate Radio Stinks

When was the last time you turned on a radio and listened to a local station?

For me it was more than 3 months ago.  Even then it wasn’t strictly a “local” radio station.   I was in the Jeep, playing with the car radio.   I’m in the Miami-Fort Lauderdale market.   I was listening to ZNS Bahamas out of Freeport.

After I got bored with that, I switched through a series of “HD” radio stations, all of which were better than FM quality sound, but all of which were “automated”.   Basically listening to someone else’s iPod.

This morning, my own iPod needed a charge so I switched over to my phone, started an app that goes out and finds radio stations and internet-only broadcasters.   I finally settled on a bitcaster that is internet only out of Germany that plays top 40 music in English.

Only.   No Commercials.

It got me thinking how far things have changed.

In my father’s day, there was AM.   There weren’t too many choices, they all had static, and way back in his day, there were actual programs.  This was before TV, so there were dramas, comedies, and special interest programs run.

TV changed all that, and it became music.   News on the hour and the half, sports when “there was a game on”.   Offerings got more diverse.  By the time I got interested in radio, I started with Dad’s Radio, a Blaupunkt Shortwave/AM/FM/Longwave that still works.  Glass tubes that glowed warmly and delivered a surprisingly mellow sound.

We had Rock, Dance, RnB, and more.  But still we had diversity in programming because the markets were managed.  No one company was permitted to own too many radio stations in any given area.  

That all changed in the late 90s and by the 2000s, Radio (with a capital R) pretty much was dead or dying.

Sure, people still listened to it, but the MP3 players and iPods came on the scene.  You could program your own music if you had a mind to it.  It would take a bit of effort, but you could do it.  I skated 21,000 miles listening to cobbled together podcasts legally downloaded from the internet.

I still had Dad’s Radio, but by then the BBC World Service that I grew up with had pulled the plug on its services in North America and for the most part and the only things I found were some stations that I didn’t have too much interest in.  Once BBC was gone, Radio Nederlands was hard to find and that left me with CBC.  It was too easy to find other outlets for news and general interest programming.

Luckily it was easy to keep loading up the iPod and surf stations online at home or work.  I was listening to a station in Miami when I lived in Philadelphia, and if that lost my interest there was BBC Radio 4 or an excellent dance station in Belo Horizonte, Brazil.

The world opened up and local radio died to me.  

I would only listen to NPR on the way home if I was following the news, otherwise back to the iPod because, again, Corporate radio stinks.

I guess the next step is what we do in the car.   Here we are in a major media market in the US and we can’t find anything to listen to that isn’t 22 minutes of commercials plus probably as much “DJ Patter”.   So fire up the phone, plug it into the car audio input, and play some bitcaster on Kevin’s unlimited data account.

Commercials make me twitchy, and always have.  I’m the fastest remote clicker in the East.

Why bother listening to something local in the car when you can have something that you enjoy?  Forget Sirius Satellite Radio, they’re just as bad with all that blathering from abysmal DJs like that horrendous Tim Bauman. 

I wish I never got Sirius XM.  It’s better than Corporate Radio but it’s like saying I’m happy the cold I have is not the Flu.

Some of the lesser popular or “fringe” music formats are simply not available in Corporate Radio because they don’t have the right demographics.  Smooth Jazz, which got very big for a couple years, drew an older audience primarily.   It’s rare that you’d find a teenager who was really into listening to a smooth jazz audience.  On the other hand, it was played pretty much everywhere – dentist and doctors offices, elevators and the like.   It had a place.  Small shops would love to have it on because it would be much less jarring than a Top 40 station in the background.

But they left South Florida, at least for a while.   They may be back, I haven’t checked.   My godmother, Kathie, is a huge Smooth Jazz fan, and she simply left the radio off for most of the time.   10th largest market in the US and she simply ignored the radio.   Eventually she got a smartphone and a data account and happily can listen to her Smooth Jazz wherever she likes.

Really, there has to be a better way to do it, but I suspect that the Genie is out of the Bottle.  The Radio in the car dash of the future will have a port to plug into the phone, and a volume control.   FM?  Who needs it, we’ve moved on.   AM?  Wall to wall static from distant cities and right-wing and religious shouters.   Again, we’ve moved on.

At least I have, and so has my godmother… and so has …. well you get the picture.

Now, I think I’ll change the channel.   Time for some Goa or some Trance. Maybe some Hawaiian or Bhangra.  I’ve got a world of choice and commercial Corporate radio is none of it.

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Holiday Music Made Me Load Up The iPod

Yes, call me contrary but I hate holiday music.

It started in OCTOBER for crying out loud.  Hearing about Sleigh Bells in South Florida in October when it is 85 is just stupid.

Oh and before the right wing nuts and their foolish brethren get all bent out of shape, it is HOLIDAY music.  The radio station I turned on when my MP3 player ran out of music on the dog walk this morning was playing a Hanukkah song so stuff your self-righteous criticism of my use of the English Language.

“Holiday Music” is

  1. More Inclusive
  2. More Correct
  3. and More Politically Correct.

That unpleasantness aside, I had been listening to the Pops channel on Sirius XM as well as their Classical channel since October as a “change of pace”.  It stuck all November.

All the while I was listening to Mendelssohn and Beethoven and Vivaldi I heard the rumbling of the hooves of eight tiny reindeer and a big fat guy who supposedly slips into your house, eats your cookies, drinks your milk, and does god knows what with the dying Douglas Fir that you had killed for the Baby Jesus in the corner of your 2/1 home in the suburbs.

In short, Sirius XM went Holiday Music on their Pops Channel.  Thanks folks, I love paying for something I don’t need when you have plenty of empty channels on your service to run something “new and different for the holidays”. 

I should never have gotten Sirius about Satellite Radio.  Sheesh!

So in anticipation of having to listen to warmed over “favorites” from the 60s, the 1860s, the 1760s, the 1660s, as well as from the Latin World, the Jewish World, and the Country World, I took the high road.  I turned off Sirius today.  After a month of Classical and Baroque, swapping over to current hits just didn’t feel right.

I had spent some Sirius time loading up the iPod with a broad variety of music that I had on CD here and haven’t listened to in quite a while.  That collection of Beethoven’s 9 symphonies joined some trance music I hadn’t listened to in a while as well as a disco collection.

Funny, the iPod doesn’t feel heavier carrying all those CDs does it?

You can enjoy your Holiday Music, I have the last movement of Beethoven’s 9th singing in German in my ears blotting out all the outside din.  Later, I’ll slide into some Armin van Buuren I’m sure.

That’s the nice thing about technology.  Properly harnessed it can isolate you from some rather annoying things that are in society and create a bubble of calm in a sea of strife.

Why I got into it today was the local NPR station finally tipped the scale and broke that camel’s back.  They’re in a pledge break.  I can remember before they had commercials on there for “Listeners like you and the Koch Foundation” and it was just “Listeners Like You”.  They weren’t shilling for every mom and pop business who could ante up and buy commercial time.  Now, they’re down to the level of every other commercial radio station, plus pledge breaks.

I changed the channel fast.

The Classical station here was playing something unintelligeable through the static.

The local dance station was doing some holiday music about Eight Crazy Nights around the Hanukkah celebration.

The Spanish Station played an English song that went into something holiday. I can’t be sure, I don’t speak Spanish but would love to learn.  Too bad, that’s a great alternative station and I actually do enjoy Salsa and Merengue music.

*Click*

Got home, put on the iPod and isolated myself.

Since Beethoven’s 9th is over it’s time to change tracks… Lets see what’s next.

No Jingle Bells required.

Studio 54 on Sirius XM

I haven’t really been a fan of Sirius XM.  I don’t travel often, and when I do I tend not to be in the car for a long enough time for me to get the radio and mount it in the Jeep.

I got Sirius about a year before Howard Stern was on the air there, and while Howard was a reason I got the service, I am not a steady listener. 

Actually why I got Sirius was that there was a promo at the time and I found that they had a good Disco channel, a good Trance Channel and a good Dance Channel that had very little chatter.  They also have a 40s music channel that is excellent and have the BBC World Service.

They don’t have BBC Radio 4 which would be an excellent addition since it is “Intelligent Talk” and one of the few places on radio that I know of that does actual game shows and has since the days of it’s infancy.  Radio 4 is how I learned how to speak English when the programming was actually on the World Service.

Through time, they gained Howard Stern and it was fascinating to see what this amazing entertainer and his side kicks would do if they were unleashed.  Having been able to speak your mind, freely, and not speak like a child which is required by the FCC was a freedom few broadcasters have.  They went through their period that there were many “rude words” on the station until they realized that it wasn’t fun anymore and went back to being one of the more intelligent and fascinating discussions on radio.

Yes, even though I don’t listen frequently, I still am a fan of their work.

On the other hand, the music channels began to resemble the pablum that you find on “terrestrial radio”.  It is amazingly difficult to keep a channel going with fresh music if you are broadcasting an older format of music that isn’t particularly popular any more.  If they aren’t making any new Glenn Miller music, you just won’t have it to play.  Their 40s channel does seem to manage that well though finding things that I have never heard before.

The problem was the Dance Channels.  Since I can’t listen to Country and Rock bores me, I can’t vouch for those formats.  The paid for service was getting way too “standard radio”.  Whoever was programming the channels first deleted the dance hits channel and morphed it into the BPM channel when Sirius and XM merged.  It became basically what was a “Hot Hits” format if you remember that.  Play a song, play a station ID and yell what that was and what’s next while talking over the song you just started to play.  Some of the worst offenders of that are the DJs Tim Bauman and “Geronimo”. 

The idea of a dance station is to bring the music to you and present it like a live event.  When is the last time you went to a dance club and heard the DJ babbling about something over top of the music?  There weren’t any announcements the last time I was in one, nor for the years before.  It’s rare that you hear that.  Originally there were two hits stations on Sirius and one was with announcements.  The one I listened to was without announcements and was deleted.

It was about that time when I tired of the recycled 20 songs they played on the old Strobe channel.  They brought in 80s dance music, usually called Big 80s, and it just got unlistenable.  The Sirius radio gathered dust and I’ve ranted about that before.

Last month they decided that it was time to bring back a Disco channel.  It’s almost there.  It still is rotating some of the same songs but not quite “over and over”.  I found myself listening to the channel for more than 5 hours a day and only changed it when they put on some specific artists.

To this day I still can’t listen to “Lady T”.  Blah.  Can’t do it.  Tried and didn’t like her in the 70s or the 80s.  But that’s just me, we all have our favorite artists in any given music format.

However, they did something that was “authentic”.  The old disco channels on radio were known for basically putting on two tracks an hour in the evening if they had a long format song.  The “Disco Mix” of a song could be 17 minutes long where the “Radio Edit” would be one side of a 45 and would last about 3:30.  If they play a short version of a song it’s a surprise. 

If they could kill the announcements about how some person brought a leopard into Studio 54 and the rest of the trivia, it would help.  They tend to do fewer announcements than they do on other channels which is a blessing, but still more than would be “authentic”.  When played, they’re not playing these announcements over top of the music which much better than on many of their other channels.

I even heard some of the tracks that aren’t generally heard in a Disco station.  Some of the more obscure artists that you’d hear mixed in as a chance to test the waters are still heard.  After all, there’s a reason why certain tracks “didn’t make it”, but it’s nice to hear them even still.  It helps to keep the channel from going stale.

So I have a reason now to listen again.  It also gave me a reason to explore what else Sirius has to offer.  I’m again listening to 40s, as well as the classical music I grew up with.  The Studio 54 has been left on for hours, but I’ll switch into Jimmy Buffet once in a while and visit Margaritaville. 

They also put on a good R and B station called the Groove.   In Philadelphia in the late 70s, we were lucky.  We had one of the best Disco stations (and scenes) in the nation on WCAU.  We also had a wonderful, locally owned R and B station on WDAS.  If you didn’t hear something good to listen to on one, you would switch to the other, and it seemed like the stations knew it and used that knowledge to build something better.  When Clear Channel got massive and finally bought up all the radio stations in Philadelphia, WDAS was one of the last to go.  It felt like something died.  RnB wasn’t quite as edgy any more and it felt much more corporate and “cleansed”. 

Sirius managed to capture a little of that edge in The Groove.  Well worth the listen if you want to hear some dance and a little RnB mixed in.   I know I do.

So it’s better.   I’ve got Sirius on now playing in the headphones on the iPhone player.  At least I can listen without having the parrot going crazy that way.

It’s not perfect but they’re on their way.  They managed to make the Trance Channel something less special where they’re mixing more formats in instead of sticking with the format.  Electric Area plays around 3 distinct formats of music in a seemingly random fashion, meshing together badly.  At least there is www.di.fm/trance when I need a good trance fix.

Now if only they could get rid of those annoying announcements and DJs on the other channels…

Chaos the Hearing Protecting Parrot and Glenn Miller

26 years of sharing a house with this Parrot and I should know better.

Starting off the day with my Glenn Miller addiction reawakened by a friend online, I turned on the internet radio and selected a Swing music station on Sirius XM.  It’s about the only reason why I bother with Sirius because their modern dance format stations are way too tightly programmed with small variety. 

I made sure the volume on the radio was low enough to keep my old feathered friend quiet.   Oscar will get loud and “sing” along with what ever was in the house at the moment so he’s my hearing protector.  It is a challenge to balance listening volume with the noises of the room at a level that won’t trip the Parrot Alarm.

Heading into the Kitchen I knew I was done for.

There was not enough coffee for the day.  Sure, there were enough Grounds roasted the day before to make one mug, but not enough for the second.  Putting 1/2 cup of green beans into the popcorn popper, the lid was replaced and a deep breath was drawn.

It was going to get loud.

Just after the 7AM noise limits it was safe to turn everything on.  The kettle warmed to boil water for Mug One as the beans were beginning to roast in the Popper.  Glenn Miller was now drowned out. 

Hello!  Hello!  BreakerBreakerBreakerBREAKER!  (jungle noices) (unintelligeable grumbles) BahBahBahBahWOOWOO!

In for a penny, in for a pound!

May as well entertain the dog, the parrot is now at full volume.

Grabbing the almost empty peanut butter jar sets Lettie off barking.  It’s a large plastic jar that I have scraped almost all of the peanut butter out of.  The top is screwed down way too tightly for her to easily get off.  It also is way too large for her to grab comfortably.

Place the jar on the floor among the symphony of the growing popper, the jungle noises, and the Glenn Miller winding down in the next room, I am treated to my beautiful “Non Barky” dog begging for her “toy”.

My foot goes down toward the jar (BARK!) and with toe of the sneaker, I tread downward on the plastic.   It spins madly and careens off of the wall and under the now totally excited dog who is trying hard to keep up with the random motion.  Parrot is now loudly chattering “here we go! here we go!” and the water on the kettle now is at a full boil screaming into the morning.

Pour out two cups boiling water exactly into the waiting coffee grounds, stir quickly to break the surface tension and reach over to replace the kettle on the stove to cool.

Looking over at Mrs Dog, it is time to take one then another step toward the peanut butter jar.  Sensing that, Lettie barks off 3 loud MWOOFS! and the jar is set into another drunken drive around the floor tiles.   Oscar is loving it and laughs a loud cartoonish laugh. 

At this point the noise level hits its final crescendo as the timer goes off and the popcorn popper is unplugged.  Beans are poured onto a plate to cool, Oscar goes silent in a sudden stop, and I can actually hear Ella Mae Morse singing sweetly to me from over top of the stove.

Giving the coffee one last stir, Lettie’s peanut butter jar is now spun one last time giving her one last reason to bark at it rolling around on the floor. 

The house goes quiet.  It is time to have the morning coffee.  After all, 10 minutes have gone by.

Sirius XM changes channel lineup and still is annoying

This morning, having a bit of a writer’s block, I ended up surfing Google Trends for top searches. 

Obviously Osama bin Laden was still at the top as well as being somewhere in the ocean.
There were the lingering searches for the Royal Wedding in the UK.
After that, Sirius XM showed up.

I was a little surprised too, but I remembered they shuffled their channels today. 

Those who have their radios would have gone through the channel reload where you are presented with a count up to 100 percent while you have silence and wonder if it will work.   It has always worked.  On the other hand you get to reprogram your presets and hope you can find your favorite channels.

That’s the problem.  I can’t.  They deleted “The Strobe” which was one of the original reasons why I bothered with Sirius in the first place.  I’ve listened since B.H.  – Before Howard Stern.  I’ve listened to Howard Stern occasionally, he is at times simply an amazing entertainer and I am hard pressed to think of anyone who is better an interviewer with pop culture icons.  

I can take or leave the shock, but the interviews are fascinating as well as his crew on the air.

On the other hand Sirius XM has a love hate relationship with dance and electronic music.  The Strobe started out as a disco only channel.  Rigidly programmed, there was almost never anything newer than 1980 and almost never anything played that was older than 1974.  That would be the sweet spot for the Disco Era.  However it was fairly tight on the play list and limited for the most part to the more popular music of that era.  Growing up in Philly you either were into rock, or you were into disco and you usually were heavily into it.  It was an amazing city for music.   The problem was that Sirius left out a lot of the other formats that would play from time to time on the disco stations of the era.  There used to be a lot of overlap with RnB.  There would be some Funk.  That sort of thing.

Later when they did their first channel shuffle, they dropped The Strobe but after complaints it came back.  Then they messed with the format.   They included some of the “late disco era” music of the early 80s, and even stretched the station into the mid 90s dance tracks that were so popular in the Northeast of the US for a while.  It did get better but still no RnB, but that was off on it’s own channel and at least we had The Strobe back.

Lately it seemed like The Strobe got stale.  I found myself surfing online and when I needed a Disco Fix and ended up with Diva Radio.  Much better breadth of music on that web only station.   There were actually tracks that I hadn’t heard and I’ve listened to some very obscure music. 

On the other hand, I’m not strictly listening to “Ghost Radio”.  While I do listen to “40s on 4” for a fix of Glenn Miller and Benny Goodman when I need it, typically when I listen to Sirius, the radio is tuned to two different channels.  Area which is Trance, has drifted to being more progressive and there’s a lot more chaff thrown in.  The king of chaff is BPM.  I have BPM on right at this moment.  I rarely like it because it’s the old “Hot Hits” format – dance tracks, short versions, and DJs and Bumpers yelling at you between the tracks. 

In this era of the iPod and Internet Radio, that Chaff is what drives people away from broadcast radio.  Sirius seems to be embracing the chaff.   The DJs on BPM are even more annoying because they’re always sounding like they just had four or five shots of Cafe Cubano and are yelling things at you to the point of being almost overmodulated.

The worst DJs on Sirius are on BPM.  You have “Geronimo” who every time I hear I want to jump out of an airplane or better yet watch him jump out without a parachute.   There is also the stomach churningly bad Tim Bauman who sounds like he’s a Pimp Wannabe from a bad movie from the early 80s. 

The best thing they can do with BPM is to go back to the way it was Before Howard and play music.  Forget the bumpers, they’re unneeded and we have a display of what we’re listening to.   The DJs have GOT to go.    Just play music.  There was a twin channel to BPM back at that time which was almost the same music, but No DJ Chatter at all.   You don’t have to listen to Tim Baumans wretched rap about “The Gurrrrls” or Geronimo’s confusion about Relaxing and Exciting BPM.

Hey Geronimo What Does THAT mean?  Did you bump your head on the desk this morning?

If a Dance Channel is meant to reflect a club, their programming managers need to actually go into a club and listen.   The DJs Don’t Talk Over Every Song! 

“Electric Area” is better but not perfect.   They’ve been getting bumpers played over the tracks, and the shows that are played on Electric Area are basically the same thing I get when I surf Armin van Buuren, Tiesto, DJ Shah, Markus Shultz or any of the other Euro DJ websites.  There’s a little chatter, but nowhere near as much as BPM – maybe an announcement every 30 minutes or so.  The reason for that is that Sirius has been playing the DJ’s web tracks directly.  Better than the Progressive and Electro that has slipped in over the last few years.  They’re basically two different formats -Trance and Electro – similar music like RnB and Disco, but not fully interchangeable and while you can mix in some for variety, they are probably best on their own channels.

As for my once again gone The Strobe channel, they said they’d put it on as an Internet Only Stream.  It wasn’t there when I went looking for it at 10AM today.  If I have to make sure I have a way to play Disco, I won’t go to Sirius.  There are many better sites that play more variety – and that is something that can be said generically about any of the Sirius channels.   Loosen the playlists.  Your music is too repetitive.

When it comes time for me to finally get a new car, I won’t activate the Sirius radio.  One reason is that I already have a “Permanent Subscription” which was a big mistake, I know.  The other is that there are just way too many ways to get good music on the car radio these days.  My complaining probably won’t have an effect, but I’ll just end up with an iPhone with a data plan surfing http://www.di.fm and playing the Trance Channel there, or if I need disco back in my head there’s always Diva Radio.   

I guess it’s the promise they made is great for some but they fell short.   Their program directors could do better.  Lets just grade them a “C Minus”.  After all, just like FM Radio, Sirius is good for Classical and News.  The music formats just aren’t there.  If you love Elvis or Sinatra you will be happy.

No wonder why I had to blow dust off the top of the Sirius Radio this morning!

I Am Why Radio Died

As I sit here, I am listening to Christmas music on a radio station in St Lucia in the Caribbean.  I had changed over from an excellent Soca Radio Station in Port of Spain, Trinidad.  Earlier I was listening to a Disco internet station broadcasting from London, UK.

During the week I also listen to Stephanie Miller for Progressive Talk.  I have to listen to Green 960 in San Francisco, California in order to do this. 

When I want contemporary dance music, I hop onto www.di.fm and I have my choice of dozens of music formats.

So why do I do all this?  Why are all of these channels, plus my Sirius subscribed channels all programmed into our Logitech Squeezebox Classic?

Simply put, Radio in the US Stinks.  The RIAA and Clear Channel have killed it.  The internet made it possible for people to leave broadcast radio stations behind. 

Why is that all important?  Billions of dollars were lost when the new markets of internet radio were created.  With a little effort, I can listen to a Souskous radio station in the Congo.  It’s an African music format that most people in the First World haven’t ever heard of so why not listen to it from it’s home?

What happened was that before the internet age, you were limited to what was broadcast from your nearest cities.  If you were stubborn like I was, you could get a shortwave radio and listen to other nations at night, but that was difficult.  Later when the wrong policy of allowing businesses to buy up a majority of the radio stations in a given market happened, consolidation of music meant that you ended up with 10 radio stations owned by Clear Channel in one given city, and they all sounded the same.  If you wanted variety, for the most part you were stuck.  Those stations that were owned by minorities were bought up and the music became much less diverse, much less listenable, and much more corporate.

An example of that was WDAS FM in Philadelphia.  An EXCELLENT radio station serving the African American Community, it was widely listened to by both black and white folks and was an engine for showcasing black artists and making the beauty of black music to the broader audience.  Clear Channel bought it up and within a year it was… bland. 

I haven’t listened to it since I moved to Florida and would prefer to remember it as it was … before it died.

The internet started up, people started downloading music and the music companies freaked out.  They still haven’t realized that according to most independent groups purchase of music continued to increase and their monopoly continued to give them income.  It didn’t pay the artists any more, but they were getting rich and giving nobody any value.

As radio station property values crashed, the trend was to go to cheaper formats and centralized broadcasting.  All the sudden the contests that were run out of your city were national contests with slightly more money but you had to compete with someone from Idaho and Texas and call a toll free number in New York or somewhere else.  It was completely depersonalized.

So if you’re listening to something that has been dumbed down and depersonalized, why not look for something else.   The final straw was when they pulled the plug on Progressive Talk for me.  There was a very good Progressive Talk station here in Miami.  The so called brains at Clear Channel swapped the format for sports talk.  How many sports stations does one market need?  There are now five.  I guess you listen to a different one each morning on the way to work.

Or you do what most people do, find other ways to get your music or talk fix.

The increase in first MP3 Players like the iPod, then the Smart Phone Revolution meant that you could carry a lifetime of music on your phone and plug it into your car stereo and forget the rest.  I know of people who simply forgo bringing CDs or listening to “terrestrial radio” while driving locally let alone for a long trip. 

Personally I am lucky.  There are three HD radio stations here in the Miami radio market I can listen to to get my fix of in car entertainment so I don’t have to bring along a lot of equipment. 

But for most, Broadcast Terrestrial Radio is a study in how a marketing engine lost it’s own market.  They left their audience, so the audience left the market and demanded iPod compatibility and an “Aux In Port” in the new cars.

So for now, I’m about to switch over to an all trance music station on www.di.fm/trance … care to join me?

Howard Stern’s Contract was Renewed for Five Years

Why is that important? 

First off, I have a Sirius radio.  I would not like to see it go “dark” and become an expensive paperweight.  I’m one of those who thinks that the star power that Mr Stern brings to the service, regardless of whether you listen to him or not, means there will be increased “Mindshare”.  Increased mindshare means more people considering paying for radio.  More people paying for radio means Sirius may be a going concern. 

Secondly, I actually do listen to Stern.  Once in a while, when I feel I need comic relief, he’s a great change of pace.  Whether I agree with him is another matter and usually I agree with him when he speaks politically.  His fixation on the bizarre isn’t really for me, so I’ll switch off to something else more musical and get back to work… what ever that may be.  Others like that, and great, we all will be able to hear about Baba Booey for another 5 years or how the interns are getting on in NY.  If you never have had a chance to listen to him talk to George Takei (Sulu from Star Trek) you are missing something that is a one of a kind experience in Radio.  He has to be one of the best interviewers on the air.

Thirdly I do think that Howard Stern is worth it monetarily to Sirius.   Without him, they would not have the 20 million subscribers that they do now.  For each of them who do not have a permanent subscription (like I do), they are getting $20 a month.  Doing the admittedly sloppy math, that means Sirius is taking in $200 million a month.  It takes Sirius 2 weeks to pay for Howard’s old salary for the year. 

Without Howard, Sirius would probably not be a going concern, with him… I can listen to trance, disco, 40s music or Progressive/Liberal Talk without plugging in the iPod.

So for five more years… enjoy what ever you listen to.  After five years… who knows.

Now if they could just get the damn DJs to shut up I could listen to the Sirius radio longer!